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As a guitarist, I have been asked, "why write fiddle tunes, if
you're not a fiddler?" Over the years I have spent many hours
accompanying fiddlers on guitar and learning the forms and styles
as an accompanist, not as the melody instrument. Some of the fiddlers
who I have had both had the pleasure to work with and have sessions
with include; Jarvis Benoit, David Greenberg, Jerry Holland, Ashley
MacIsaac, Dave MacIsaac, Buddy MacMaster and Natalie MacMaster,
to name a few.
Very gradually I started to try my own hand at composing fiddle
tunes, primarily in the Cape Breton style of fiddle music. I have
found it fascinating that such a finite form of music can have
so many possibilities and infinite variations.
As I have already mentioned, I came to fiddle music as an accompanist. I felt it was important therefore, to include chord symbols with the music. The chords are meant to be a guide or a jumping off point to your own personal approach to providing harmony to my "Scoobie Tunes". At the very least they provide a chord structure to these tunes that will definitely work. I've purposely avoided writing a bass line. I have found with my experience as an accompanist with the Cape Breton Style of fiddle music that the approach to the bass line is very individualistic; so I leave that up to you.
Writing fiddle tunes always brings me back to specific personal memories of the time when each tune was composed. The "Scoobie Tunes (A Family Fiddle Frenzy)" reflects some of those "moments in time" in my life. I have included the stories that relate to each of these tunes in my "Scoobie Fables" at the back of the book. I hope that you, the reader, will enjoy my musical offering as well as these "moments in time".
Fiddle in the Trunk
Fiddle in the
Trunk is dedicated to my long and dear friend Jarivs
Continue to
visit me at My Space:
www.myspace.com/scottmacmillan
You can contact Scott Macmillan at scott@scott-macmillan.ca
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